Sannidhi Vaidyanathan, 26, is poised to make her debut mridangam solo recital in Delhi on September 2. Photos courtesy of the artist
The grand-daughter of eminent exponent of Bharatanatyam Saroja Vaidyanathan and daughter of well-known Bharatnatyam danseuse Rama Vaidyanathan is poised to make her debut mridangam solo recital in Delhi on September 2, in the presence of her guru Ramamoorthy Sriganesh
On September 2, 26-year-old Sannidhi Vaidyanathan — the granddaughter of celebrated guru and eminent exponent of Bharatanatyam Saroja Vaidyanathan and daughter of well-known Bharatnatyam danseuse Rama Vaidyanathan — will present her first solo mridangam performance, ‘Arangetram,’ at Kamani Auditorium in Delhi. The 30-minute solo performance, in the presence of her guru Ramamoorthy Sriganesh, will see Sannidhi exhibit her imagination and expertise (Thani Avatranam) in mridangam. It will be followed by a Bharatanatyam performance by Rama’s disciples where Sannidhi will accompany on mridangam, an indispensable accompaniment for the form.
Mridangam, an ancient musical instrument which requires a lot of mental and physical strength and dedication to perform. Trained since the age of 10 under the guidance of gurus Karaikudi Sivakumar and later from Ramamoorthy Sriganesh, Sannidhi is one of the rare female percussionists. She follows the traditional vocabulary, combining the different varieties of strokes, which makes her performances fascinating.
Sannidhi, who graduated in Bharatnatyam from Indira Kala Sangeet Vishwa Vidyalaya, and compeleted a diploma course in mridangam from the Arts Faculty at Delhi University, is also a well-trained Bharatnatyam dancer, but has chosen Mridangam as her profession. Excerpts from an interview:
How did you go about preparing for your solo show?
My guru and I chose a particular taalam for a segment of my show. I then practised the routines every day. I also practised with the dancers who helped me understand the nuances while i played for them.
Tell us something about your journey? What inspired you to learn Mridangam, which is predominantly a male-dominated craft?
I started learning mridangam at the age of 10. I always learnt mridangam for dance and have been training to be a skilled dance mridangist. Mridangam is one thing that has been with me throughout and I feel happiest while playing. When I play, I feel as if I am also dancing because it gives me the joy of rhythm.
From childhood I had an inclination for rhythm. Coming from a family steeped in dance and music, my parents suggested that I try out mridangam. So I did! What started out as a hobby is now my biggest passion. I wanted to do something unique as my family is into dance. Female mridangists are unfortunately very rare in this predominantly male-dominated field and I am proud to be one. I hope more women like me are encouraged to learn.
Sannidhi Vaidyanathan with guru Ramamoorthy Sriganesh
Who have been your inspirations?
My late guru Sri Karaikudi Sivakumar sir, who set my foundation and instilled my love for the art form, will always be one of my biggest inspirations. And, of course, my mom has inspired, helped and groomed me to be a dance mridangist today. Without her, I would have never stepped into this field
You are the grand-daughter of guru Saroja Vaidyanathan and daughter of well-known danseuse Rama Vaidhyanathan. Classical music and dance has been a part of your growing up years. How did it influence your musical journey?
I grew up in a household where the mridangam was always heard in dance classes and rehearsals. Since my childhood, I have been surrounded by this musical tradition. Even as a kid, I used to help my grandmom and I started taking classes in her institute, Ganesa Natyalaya. This has definitely helped me develop an ear for it and be sincere with my practice.
How do you plan to further master the skills and knowledge in Carnatic tradition?
I will continue classes with my guru and hope to learn new variations and patterns. I will also play for programmes, arangetrams and other shows in the future.
Carnatic tradition, a form of Indian classical music, has a long history. Tell us about your fascination with the form? Could you talk about some of its practitioners who have been your own favourites?
My personal favourites are Bombay Jayashree Ramnath and Sudha Raghuraman (Carnatic vocalists), who will be singing on my Arangetram. I have grown up listening to Carnatic music all around me in my house. So, I am actually conditioned for it to be a part of my life. I am able to listen to it with a very sharp ear. Even though I am not a singer, I have a very close connection with not just Carnatic music, but music in general. Because mridangam is an instrument that is very versatile and can be played for any music.
Sannidhi Vaidyanathan. Photo: Innee Singh
How do you keep yourself mentally and physically fit?
As mridangists sit and play for hours on end, we need to find other ways to be physically fit. I go to the gym and exercise regularly. I have also started maintaining a healthy diet. I feel the reverberations of the mridangam and Carnatic music also help in calming me mentally.
How do you plan to bolster your association with the instrument in the future?
I want to collaborate with other percussions like tabla, African drums, pakhavaj and many more. I want to do new work and learn from these other styles as well.
What are your future goals?
I definitely want to continue with mridangam. I dream to perform all over the world and spread the beauty of mridangam everywhere. I also love travelling. So, the best thing is that, along with my career, I can travel everywhere, while getting a lot of experience and exposure! My goal is to learn as much as I can from this world of mridangam and art.
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