
Jawaharlal Nehru announcing the death of Mahatma Gandhi from the gate of Birla House, New Delhi, January 30, 1948. Photograph by Henri Cartier-Bresson
What the Photograph Tells the Poet
I cannot show what you see,
Movement dissipates in me.
I do not choose what falls in a frame
and what order is arranged.
I do not ruminate for years
for the absent shape.
I have no retakes.
There is an image you may have seen
The slain leader’s passing announced.
His face is a blur.
Bloom rash of stray light
hems him in from the side,
The half-lit officer’s visage from the other.
The bright lamp on the gate post
dwarfs them both.
He was lamenting
the light that has gone out of our lives.
You could say it is poetic,
I really would not know.
Based on Henri Cartier-Bresson’s iconic photograph of Prime Minister Nehru announcing Mahatma Gandhi’s passing
Insomnia
(23rd January, 25 years later)
It is as if a forest is in bloom
the axonal mesh lighting up.
Buoyant colour blebs floating,
dipping to barely graze the ground,
bouncing up again, through
the grey spaces in the night.
It is a way to keep alive, to dive,
to plunge into tarns of absent light
collecting around colours of days.
Blinding days, soaking vapid nights.
It is a way to keep alive, to pretend
that spark showers from the blazing car
are in fact, glow worm swarms,
inhabiting the sleeping woods.
For Timothy Graham Staines
To My Lord and Master
Is this not enough for you —
the man that I would not be?
Your voice in my head booming-
submit, submit to me?
Orchards that we uprooted?
Babies impaled? Sweet wells
we laced with lead? For you,
the building we sacked?
This fealty, this bended knee?
This ceremony, these lights on
the temple dome, soaking me? Sky
full of incense smoke, choking me?
The drone of the sacred chant
that drowns my gurgling infant.
The patricide bequeathed to me?
The suicide you bestow on me?
Welling Up
Welling up in me are people,
nations, that have ended.
The passing camaraderie
of turncoats. Lives spent on trifles —
hollow hurrahs at cricket matches,
friendship bands, victory marches.
The paeans for vain glory.
Welling up in me are scents
that waft through the land.
The tepid smell of worn-out hope
drying up in the torn down home.
An acrid stench seeping through
mute stone walls, unannounced —
an eeriness, a creeping fear.
Welling up in me are faces,
the pallid hue on all of them.
My mother’s prayers, the song
she would sing some nights
during the roza, wizened fingers
stroking my thinning hair —
Sare jahan se accha.
The citizen amendment rules that would enable the implementation of the Citizenship Amendment Act (CAA) were notified on March 11 2024. The first roza in 2024 was observed on March 12th.
The Day They Lynched Me
I became the free one.
Shaken loose from the soil that
bathed me, beaten out of the
blood that soaked them.
Mob against one, stone against skull.
I was sent to the tannery
for the animal they worshipped.
Scorched by the sun, skin
soaked, stretched and painted.
Flayed, disfigured, displayed.
I became all the others.
Strung from rafters of justice,
beheaded, choked in chambers,
burned at the stake.
Left strewn as fertiliser in fields.
For Pehlu Khan
Behror, Alwar. 1st April 2017
October 2nd, 2003
I mourn you.
The version of you that
snuffed raging fires out, with
the tip of a slender finger.
I mourn the prayer songs
that did not salve the powder burns,
bullets pumped into your chest-
thin as a drying reed.
I mourn the pillars
of the hallowed hall, they hung
your portrait in, and stood staring
with an icy glare, across the glistening floor.
I mourn the version of me,
that left me, behind, stumbling
from pay check to pay check,
never lifting the gaze to see.
2003 was the year a certain right wing ideologue's portrait was unveiled in the central hall of the Indian Parliament.
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