Arvind Krishna Mehrotra. Photo: Hardeep Singh.
Poet’s Note: My vessel was not even a paper boat
I typed up the first poems I’d written on my Royal typewriter, one to a page as the poems were short, and took the sheets to a bookbinder in Colonelgunj, Allahabad, whose one-room establishment I passed on my way to the university. He had a round face and puffy eyes and was always dressed in a dhoti and vest. He was sitting cross-legged on the floor, surrounded by stacks of sheets, some of them folded and kept in another stack. There was a hand operated paper-cutting machine in one corner. Books in various stages of binding were in a shelf built into the wall. There were a couple of rolls of cloth, red, blue, lying around. Beside him, on a piece of paper, was a lump of glue, greenish white in colour and made from rice. I handed him the sheets I’d brought and we decided on the size, four and a half inches by six. He’d bind it in boards and asked me to choose the cloth. I chose blue; not Oxford blue but close. He told me to come back the next day.
I laid the book on my table and switched on the lamp. The binding was on the top so it opened like a note pad, but inside was a title page, a page of contents, a preface, followed by about 20 poems. Compared to the luxury liners in my uncle’s library — the hardback volumes of the English poets printed in double columns — my vessel was not even a paper boat. I felt utterly defeated. It was terrible.
from Author’s Note to Collected Poems by Arvind Krishna Mehrotra (Giramondo).
A stone that none saw coming
smashed the drumstick’s head.
It was four months old.
I went back for a replacement
and was given the same instructions
I'd been given before:
“Use a razor blade and make three cuts
in the plastic — here, here, and here.
When you lower the plant into the pit
make sure the soil is intact.
Water it on alternate days,
and always away from the roots.
We’ve said a prayer for it at home.
We do it for all our saplings.
It’ll thrive.”
*
The amaranth has gone to seed.
The silk tree drops a flower.
A squirrel chases a butterfly,
the butterfly runs circles round the squirrel.
Passing a bush, I pick curry leaves to chew.
The house I stepped out of is the shore I left.
The garden I’m adrift in has ripples like the sea.
*
A change of location
from veranda to terrace,
a tumbler or two of water,
and the curled leaf
of the potted lime opens.
His face covered with
pellet marks, the schoolboy
opened his eyes.
“The light hurts,” he said.
“Turn it off.”
*
The kill in its beak,
the Himalayan bulbul
thrashed its head
from side to side.
Only the butterfly’s
blue wings were found
amidst the dead leaves
and pine needles.
The essay and the poems are part of our Poetry Special Issue (January 2021), curated by Shireen Quadri and Nawaid Anjum. © The Punch Magazine. No part of this essay or the new poems exclusively featured here should be reproduced anywhere without the prior permission of The Punch Magazine.
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