Midlife Crisis of the Extraordinary Specials
England is a woman, she’s a widow, my mother croons
to college kids on Zoom
Next room
Eng Lit grads
So were we, so were we...
But some of us are dead now.
Anyway, not pursuing that rabbit hole
and returning to the question at hand, one must suggest that
This year has been a work of fine fiction.
What kind of punk is pandemic, again?
Truth, ever the stranger/crueller twin
(Bit of a Gemini year, if you ask me)
A year of bizarre gain, vomit rain, acid pain...
A dead friend or two
A dead dream or two
A papercut on the ageing heart
(Millennials don’t take kindly to their thirties, you see)
(Especially not in a pandemic year)
A bit of a raise
Two restless feet
A restless marriage
Restless hair, diving out of roots
A millennial never sends up shoots
A frisky Instagram year.
Frisky nights in bed, anxious to be dead
Anxious to be fed — frequently
That sort of year.
Rounded off neatly to a sum of all our tantrums
And tossed in our face, a proper disgrace
So it turns out that
Our midlife crisis
Is extraordinarily special
Just like us.
Situation
Today we recalled Fleabag
Our own fleabag situation
Redirected our attentions elsewhere
Watched the sunset bruise the sky
And then stain the water gold
Just like oil spilled on a mirror
The land strewn with towering rock piles
Like crude fortresses of giants
As we head back to the city
We pass through these ancient forests
Termite mounds guard winding roads
Red earth turrets standing by
We recall that these are hideouts
Where the sages sat so still
they say the termites built mounds around them
Or so the epics say.
An idle thought flits past the windscreen
as we nestle into the seat
Are there sages still inside them?
Like the Buddha boy in the tree.
Then our phone, it buzzes briefly
Her neffoo’s face peers through the screen
Another swipe, his face is planted in a bowl
He prefers empty dabbas
to costly toys, she says
You should be grateful,
low maintenance is rare.
How tiny his little feet are —
He looks dapper in his kurta
What does he know of this, our tired world
We are fleabag aunts these days
We shall pass on bits of wisdom —
Quite like snatches of old film song
And small spoons of buttered rice
Oil massages grandmas gave us
So we pass on bits of candour
That’s all there is to it, really
Sunsets always stain the ponds
Some Kind of Mermaid
Fish hooks in, hauled tail first into the boat, I
Look around, surprised to see all the light, the clarity
Where the salty smell of amniotic fluid, the womb of my mother the sea
Has given way to a greater art form, the light
It dazzles, it shines, it glimmers on the salt waves of my dream
This, the sun
That the people of the land adore
That I abhor —
I lie on my back and consider the woodenness under me.
The nails bob up against my back
Against the grain of the boat, on the salted side
I am a shadow, a sliver of sterling fish
The waves tangle in my hair, but so do the nets
The nails scratch at my scales, catch the soft spot beneath
So where does this infamous light ripple from?
I look for the warm glow at the heart of the sea
But my stretcher of wood has drizzled the last paint song
Into the cool shimmer and slipped past to the beach
My guardians, the waves, watch aghast and bemused
As I step onto shore and draw a sarong around me
Lime
Sometimes we like to complicate matters
A nice squeeze of lime on the sea bass of this year’s story
Sometimes we like to take our issues to the sea, wade in knee deep
And then float off on the jetsam flotsam plastic ocean weaves that are now someone’s boutique bikini
Oh if our moods were quite as sustainable as this imagined sea bereft of plastic
Or this plastic bereft of sea
There‘s a conch shell somewhere hereabouts with a little tiny crab on it
The crab says mermaid you’ve got your siren song all wrong
Please leave your slippers on the sand when you hand me the keys to your charmed life
I’ll wait for you to wade off into the deep
Earth
The earth mother sky goddess
Has lifted her veils to let us in and suck on honeysuckle from the little wilderness that still remains.
The clouds grow patchy over the hills as the mist rain clears, a sign of things to come. The goddess mother says to us that the evergreens have shed their leaves
Is there anywhere left for the junipers to catch fire?
The berries have all dropped, she says, you should find a different taste. I see she has grown a mole since the last time I paid a visit. She says she has seen enough; go and get me a piece of your other song. She sits there, one leg over the other, her saree pleats flung every which way. I needed some gold, but I think I’ll let it pass. The moths have already strung their beady song, I can smell the evening wafting towards us. That'll do, child, she snaps, irate: you can do the rest tomorrow. She sends me off and turns off the radio. Her old CDs line the dusty mantel. I see that my mother’s house is falling apart.
Stratosphere
Another fine day to crash out of the stratosphere
Bootstraps flailing
Sun tan grazing the wind
Out through the wind and in through the sun
Meditation beads swingin’
A glistening amethyst shape that doesn’t
Do squat to peel back layers of crisp pastry pain.
Rinse, repeat, hope for better results next time —
i.e., when you sail through the sun,
a book of ways will reveal itself, etc.
The monk smiled at the 50 offering
Took a photo for you in the library of the dead
Dead pilgrims, dead refugees
Orange-bound, time travelled, mountain passed
Nothing your plains self could fathom.
Twice now you have come this way
And backed off with(/out) caution
The world will have to wear off
Another day
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