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Persepolis, Marjane Satrapi and the Orientalist gaze: Reading Iran, memoir and the politics of representation

Persepolis, Marjane Satrapi and the Orientalist gaze: Reading Iran, memoir and the politics of representation

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Dhobi Ghat, Laapataa Ladies: Why we need more films from Kiran Rao

Dhobi Ghat, Laapataa Ladies: Why we need more films from Kiran Rao

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The Poetry Issue 2023: Two Poems by Kiran Chadha

The Poetry Issue 2023: Two Poems by Kiran Chadha

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Susanna Clarke’s Piranesi, winner of Women’s Prize for Fiction, is a spellbinding tale about finding liberation in loneliness

Susanna Clarke’s Piranesi, winner of Women’s Prize for Fiction, is a spellbinding tale about finding liberation in loneliness

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Spool of Pink Thread

Spool of Pink Thread

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Shokoofeh Azar: ‘I write magic realism on the basis  of facts. To me, a fact can be a dream or an emotion’

Shokoofeh Azar: ‘I write magic realism on the basis of facts. To me, a fact can be a dream or an emotion’

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The Clock Cell and other poems

The Clock Cell and other poems

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Wild and Beautiful

Wild and Beautiful

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On View in Venice, Core of Gandhian Philosophy

On View in Venice, Core of Gandhian Philosophy

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Why you must read South Asian literature

Why you must read South Asian literature

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Kiran Nagarkar: Finding Humour in an Unfunny World

Kiran Nagarkar: Finding Humour in an Unfunny World

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Minal Vazirani: Course of Auction

Minal Vazirani: Course of Auction

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I enter the unknown spontaneously: Vivan Sundaram

I enter the unknown spontaneously: Vivan Sundaram

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Scent of Sousan and Yasaman

Scent of Sousan and Yasaman

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Symbol and other poems

Symbol and other poems

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I like to play with form, material: G R Iranna

I like to play with form, material: G R Iranna

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Why Pakistan? A novel tries to find an answer

Why Pakistan? A novel tries to find an answer

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