The Punch Magazine - The Byword, Arts, Culture, New Voices, Business, Events, Interviews

About Us | Contact Us | Donate | Submission Fee

/

Vikrant Patankar on making films, and figuring out how far an obsession can take him

Vikrant Patankar on making films, and figuring out how far an obsession can take him

Main Vaapas Aaunga: How Imtiaz Ali’s latest film is, above all, a love story

Main Vaapas Aaunga: How Imtiaz Ali’s latest film is, above all, a love story

Manaal Noman Masood

From Fatma Begum to Gen Z filmmakers: How women have changed Hindi cinema in the last 100 years

From Fatma Begum to Gen Z filmmakers: How women have changed Hindi cinema in the last 100 years

Madeeha Siddiqui

Imtiaz Ali’s cinema: Love, loss and the long road to the self

Imtiaz Ali’s cinema: Love, loss and the long road to the self

Neelormi Ray Chowdhury

Bharathiraja obituary: The filmmaker who took Tamil cinema back to its soil

Bharathiraja obituary: The filmmaker who took Tamil cinema back to its soil

One Battle After Another and the recalibration of the Paul Thomas Anderson canon

One Battle After Another and the recalibration of the Paul Thomas Anderson canon

Muzaffar Ali’s Umrao Jaan: A courtesan’s lament, a culture’s elegy

Muzaffar Ali’s Umrao Jaan: A courtesan’s lament, a culture’s elegy

How Celine Song’s film Materialists redraws the rules of marriage

How Celine Song’s film Materialists redraws the rules of marriage

Dhobi Ghat, Laapataa Ladies: Why we need more films from Kiran Rao

Dhobi Ghat, Laapataa Ladies: Why we need more films from Kiran Rao

Deepa Mehta interview: ‘Good cinema is always political’

Deepa Mehta interview: ‘Good cinema is always political’

Georgina Maddox

Movie review: Wes Anderson’s Asteroid City shows why we can never outgrow childlike wonder

Movie review: Wes Anderson’s Asteroid City shows why we can never outgrow childlike wonder

The Ananth Narayan Mahadevan interview: ‘Pure cinema in India struggles for survival’

The Ananth Narayan Mahadevan interview: ‘Pure cinema in India struggles for survival’

Padmaja Challakere

Ritu Menon on the Life and Times of Zohra Segal

INTERVIEW/PROFILE

Ritu Menon on the Life and Times of Zohra Segal

Film Review: Sardar Udham sits with poise in Shoojit Sircar’s and Vicky Kaushal’s filmography

Film Review: Sardar Udham sits with poise in Shoojit Sircar’s and Vicky Kaushal’s filmography

Utkarsh Mani Tripathi

Why Soumitra Chatterjee’s Portrayal of Feluda remains Definitive

Why Soumitra Chatterjee’s Portrayal of Feluda remains Definitive

Arjun Sengupta and Partha Mukherjee

Love, Ree(a)l Love: How Acting Can be Shamanistic, a Spiritual Union of the Real and Reel

Love, Ree(a)l Love: How Acting Can be Shamanistic, a Spiritual Union of the Real and Reel

Bhonsle: Of Home and Belonging, Fathers and Sons, God and Man

Bhonsle: Of Home and Belonging, Fathers and Sons, God and Man

Rituparna Sengupta

Besieged City and other poems

Besieged City and other poems

Journey to the End of the (American) Night: A Conversation with Director Andrea Di Stefano

Journey to the End of the (American) Night: A Conversation with Director Andrea Di Stefano

Giovanni V.R. Sorge

Sridevi: When Grace Danced

Sridevi: When Grace Danced

Pradipta Mukherjee

A role must take me in an uncomfortable zone: Nawazuddin Siddiqui

A role must take me in an uncomfortable zone: Nawazuddin Siddiqui

Jaideep Ahlawat

World Cinema: Israel’s master of mise en scene

World Cinema: Israel’s master of mise en scene

Om Puri: An unparalleled actor of the parallel cinema

Om Puri: An unparalleled actor of the parallel cinema

© Copyright The Punch Magazine 2016. All rights reserved.