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Deepa Mehta interview: ‘Good cinema is always political’

Deepa Mehta interview: ‘Good cinema is always political’

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Movie review: Wes Anderson’s Asteroid City shows why we can never outgrow childlike wonder

Movie review: Wes Anderson’s Asteroid City shows why we can never outgrow childlike wonder

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The Ananth Narayan Mahadevan interview: ‘Pure cinema in India struggles for survival’

The Ananth Narayan Mahadevan interview: ‘Pure cinema in India struggles for survival’

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Ritu Menon on the Life and Times of Zohra Segal

Ritu Menon on the Life and Times of Zohra Segal

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Film Review: Sardar Udham sits with poise in Shoojit Sircar’s and Vicky Kaushal’s filmography

Film Review: Sardar Udham sits with poise in Shoojit Sircar’s and Vicky Kaushal’s filmography

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Why Soumitra Chatterjee’s Portrayal of Feluda remains Definitive

Why Soumitra Chatterjee’s Portrayal of Feluda remains Definitive

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Love, Ree(a)l Love: How Acting Can be Shamanistic, a Spiritual Union of the Real and Reel

Love, Ree(a)l Love: How Acting Can be Shamanistic, a Spiritual Union of the Real and Reel

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Bhonsle: Of Home and Belonging, Fathers and Sons, God and Man

Bhonsle: Of Home and Belonging, Fathers and Sons, God and Man

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Besieged City and other poems

Besieged City and other poems

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Journey to the End of the (American) Night: A Conversation with Director Andrea Di Stefano

Journey to the End of the (American) Night: A Conversation with Director Andrea Di Stefano

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Sridevi: When Grace Danced

Sridevi: When Grace Danced

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A role must take me in an uncomfortable zone: Nawazuddin Siddiqui

A role must take me in an uncomfortable zone: Nawazuddin Siddiqui

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World Cinema: Israel’s master of mise en scene

World Cinema: Israel’s master of mise en scene

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Om Puri: An unparalleled actor  of the parallel cinema

Om Puri: An unparalleled actor of the parallel cinema

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