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Art & Design
Conversations with K.G. Subramanyan (1924-2016): Artist, Teacher, Visionary
Manjula Narayan
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Entertainment
Deepa Mehta interview: ‘Good cinema is always political’
Georgina Maddox
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INTERVIEW/PROFILE
Amitava Kumar: ‘Good writing grows out of serious noticing’
Shumaila Taher
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INTERVIEW/PROFILE
Anjana Menon: ‘Onam in a Nightie is about the culture, values and community spirit of Keralites’
Shireen Quadri
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INTERVIEW/PROFILE
Priya Hajela: ‘Ladies’ Tailor is a story of rebuilding life in the tumultuous backdrop of Partition’
Saumya Singh
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Entertainment
The Ananth Narayan Mahadevan interview: ‘Pure cinema in India struggles for survival’
Padmaja Challakere
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INTERVIEW/PROFILE
Krupa Ge on her debut novel, What We Know About Her, an inquiry into the society’s treatment of women
Saumya Singh
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INTERVIEW/PROFILE
‘I’m the pariah of literature in India, thank God!’: CP Surendran on his new novel and the many-shaded rejections
Padmaja Challakere
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INTERVIEW/PROFILE
Jane Borges: ‘Bombay Balchão is as much about people as it is about a place’
Tulika H. Bhojwani
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Art & Design
Jogen Chowdhury: The Enchantment of the Everyday
Nawaid Anjum
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INTERVIEW/PROFILE
The Shamsur Rahman Faruqi Interview: Part II
Susmita Srivastava
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INTERVIEW/PROFILE
Gabriela Cabezon Camara: ‘It’s important for us to be able to imagine other possible worlds’
Nawaid Anjum
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INTERVIEW/PROFILE
Avni Doshi: We make sense of the world in retrospect
Shireen Quadri
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INTERVIEW/PROFILE
Saikat Majumdar: Scent and Sensibility
Shireen Quadri
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INTERVIEW/PROFILE
Manreet Sodhi Someshwar: The Labyrinth of History
Shireen Quadri
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INTERVIEW/PROFILE
In the end, a novel is about controlling time: Sumana Roy
Shireen Quadri
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Art & Design
Riyas Komu: The Anatomy of Angst
Nawaid Anjum
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HOSPITALITY
Keshav Suri: India’s enfant terrible
Nawaid Anjum
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